林欣怡 LIN, Hsin-I

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// 學術專長  // 學經歷  // 研究計劃  // 學術期刊論文   // 研討會論文   // 著作發表   // 獲獎獎助   // 影展  //  個展   // 聯展

林欣怡目前擔任國立清華大學藝術與設計學系副教授，並兼任陽明交通大學文化研究國際中心研究員。其創作實踐聚焦於閾限主體、多重文本、歷史聲語與場所聲響等影像概念；學術研究則深耕新媒體技術在跨文化電影中的美學質性與跨碼交涉。

林欣怡曾獲文建會巴黎（2008）及紐約（2004）駐村計畫獎助，並兩度獲得數位藝術評論獎（2015年首獎、2010年）。其影像作品曾獲南方影展新人獎（2015）、高雄影展優選（2016）與女性影展特獎（2016）。

其紀錄片與聲音錄像裝置作品曾於威尼斯雙年展台灣館、法國克萊蒙費宏國際短片影展、法國 VIDEOFORMES 新媒體藝術展、美國聖塔非 CURRENTS 新媒體藝術展，以及瑞士真實影展、柏林、新加坡、釜山等影展與美術館展出。

在教學上致力於實踐與理論的結合，開設軟電影、資料庫美學及實驗影像等課程。其研究與評論成果曾發表於《文化研究》（THCI）、《藝術評論》、《清華藝術學報》及《藝術觀點ACT》等專業期刊。

LIN, Hsin-I is an Associate Professor in the Department of Arts and Design at National Tsing Hua University and a Researcher at the International Center for Cultural Studies, National Yang Ming Chiao Tung University. Her creative practice explores image-making through concepts of liminal subjects, multiple texts, historical voices, and site-specific sounds. Her academic research focuses on the aesthetic qualities and trans-coding negotiations of new media technologies within intercultural cinema.

Lin has received prestigious residency grants in Paris (2008) and New York (2004), alongside the First Prize at the Digital Art Criticism Awards (2015). Her film works have earned several accolades, including the Newcomer Award at the South Taiwan Film Festival (2015) and the Special Prize at the Women Make Waves Film Festival (2016).

Her documentaries and sound-video installations have been exhibited globally, including the Taiwan Pavilion at the Venice Biennale, Clermont-Ferrand International Short Film Festival (France), VIDEOFORMES (France), and CURRENTS New Media (USA), as well as international film festivals in Berlin, Singapore, Nyon, and Busan. Her scholarly writing and criticism are frequently published in journals such as Concentric: Literary and Cultural Studies (THCI), Art Review (THCI), and Art Critique of Taiwan (ACT).

學經歷

  • 國立清華大學藝設系副教授（2023.2—）
  • 國立陽明交大應用藝術研究所兼任副教授（2024.8—）
  • 國立陽明交大ICCS 文化研究國際中心研究員（2018.8—）
  • 國立陽明交大應用藝術研究所副教授（2018.8—2023.1）
  • 國立交通大學應用藝術研究所博士(Ph.D, 2013）

Academic Appointments & Education

  • 2023.02 – Present
    Associate Professor, Department of Arts and Design, National Tsing Hua University (NTHU).
  • 2024.08 – Present
    Adjunct Associate Professor, Institute of Applied Arts, National Yang Ming Chiao Tung University (NYCU).
  • 2018.08 – Present
    Researcher, International Center for Cultural Studies (ICCS), National Yang Ming Chiao Tung University (NYCU).
  • 2018.08 – 2023.01
    Associate Professor, Institute of Applied Arts, National Yang Ming Chiao Tung University (NYCU).
  • 2013
    Ph.D., Institute of Applied Arts, National Chiao Tung University (NCTU).

研究計劃

  • 2025-2027  新竹六燃作為想像共同體：建構生態-文化永續體，大學社會責任實踐計畫，國立陽明交通大學
  • 2025-2027 過程電影：無攝影機活動影像與生態思考．ICCS文化研究國際中心計畫
  • 2022-2024   從媒體筆、超剪到離散語碼：當代錄像論文與螢幕紀錄片美學研究 （NSTC 111-2410-H-007 -105 -MY2）
  • 2022 跨文化電影：依物、纏結物件、影像物質流，科技部人文社會科學研中心．ICCS文化研究國際中心計畫
  • 2020—2021 超皮層，陽明交大白色計畫
  • 2018—2019 反身性聲語場景：感官民族誌中的聲景書寫與話語考掘，ICCS文化研究國際中心計畫

Research Projects

  • 2025–2027 Hsinchu Sixth Fuel Plant as an Imagined Community: Constructing an Eco-Cultural Sustainability System University Social Responsibility (USR) Project, National Yang Ming Chiao Tung University (NYCU).
  • 2025-2027 Process Cinema: Cameraless moving image and the Ecological Thought. (International Center for Cultural Studies [ICCS] Project)
  • 2022–2024 From Media-Stylo and Supercuts to Discrete Coding: An Aesthetic Study of Contemporary Video Essays and Screen Documentaries (National Science and Technology Council Project: NSTC 111-2410-H-007-105-MY2)
  • 2022 Intercultural Cinema: Depending on Things, Entangled Objects, and Image-Matter-Flow (Research Center for Humanities and Social Sciences, NSTC / International Center for Cultural Studies [ICCS] Project)
  • 2020–2021 Hypercortex (National Yang Ming Chiao Tung University “White Project”)
  • 2018–2019 The Reflexive Sound Scene: Soundscape Writing and Discourse Archaeology in Sensory Ethnography (International Center for Cultural Studies [ICCS] Project)

學術期刊論文

  • 林欣怡（2024），《離散語碼：媒體作為筆的跨軌書寫與多重翻譯》，清華藝術學報，No.5，頁67-82，DOI: 10.6922/THJAR.202312_(5).0004
  • 林欣怡（2021），《糾纏區帶：聲觸空間、雲端混雜織線與軟紀錄片的文化跨碼》，清華藝術學報，No.3，頁21-38，DOI： 10.6922/THJAR.202112_(3).0002
  • Hsin-I, Lin.（2012）. Net.readymades, Humanities and Social Sciences Review, Vol 1, No. 4.
  • 林欣怡、賴雯淑 （2012），《Gesture.net：零度網絡中的精神姿態》，文化研究，  No.12，2012 （THCI, TSSCI），臺北：遠流出版，DOI：10.6752/JCS.201209_(15).0007
  • 林欣怡（2011），《VB Show》，文化研究，No.11，2010，Fall（THCI, TSSCI），臺北：遠流出版，DOI：10.6752/JCS.201006_(11).0017
  • 林欣怡、賴雯淑（2011），《網路前衛運動：朝向星叢的美學語言》，藝術評論，No.21,（THCI），臺北：國立臺北藝術大學，P159 – 196.

Journal Articles

  • Lin, Hsin-I (2024). “Discrete Coding: Cross-track Writing and Multiple Translations of Media-as-Stylo.” Tsing Hua Journal of Arts, No. 5, pp. 67–82. DOI: 10.6922/THJAR.202312_(5).0004
  • Lin, Hsin-I (2021). “Entanglement Zones: Sono-Tactile Space, Cloud Hybrid-Threads, and the Cultural Trans-coding of Soft Documentaries.” Tsing Hua Journal of Arts, No. 3, pp. 21–38. DOI: 10.6922/THJAR.202112_(3).0002
  • Lin, Hsin-I (2012). “Net.readymades.” Humanities and Social Sciences Review, Vol. 1, No. 4.
  • Lin, Hsin-I, & Lai, Wen-Shu (2012). “Gesture.net: Spiritual Gestures in the Zero-Degree Network.” Journal of Cultural Studies, No. 12 (THCI, TSSCI). Taipei: Yuan-Liou Publishing. DOI: 10.6752/JCS.201209_(15).0007
  • Lin, Hsin-I (2011). “VB Show.” Journal of Cultural Studies, No. 11, Fall 2010 (THCI, TSSCI). Taipei: Yuan-Liou Publishing. DOI: 10.6752/JCS.201006_(11).0017
  • Lin, Hsin-I, & Lai, Wen-Shu (2011). “Internet Avant-Garde Movement: Towards an Aesthetic Language of Constellations.” Art Review, No. 21 (THCI). Taipei: Taipei National University of the Arts, pp. 159–196.

研討會論文

  • 林欣怡（2024），〈基因—迴聲蒙太奇：超級剪接知識型與反資料庫電影〉，迷謎-ing：2024文化研究年會暨國際學術研討會，2024.3.16-17，CSA文化研究學會／國立台北教育大學
  • 林欣怡（2023），〈歷史超剪：阮純詩影像中的記憶截面與複音美學〉，臺灣人類學與民族學學會2023年會「戰？人類學！」，2023.9.23-24，中央研究院民族學研究所
  • 林欣怡（2022），〈離散語碼： 媒體筆作為點狀書寫主體〉，戰．世代：2022文化研究年會暨國際學術研討會，2022.3.12-13，國立臺北教育大學
  • Hsin-I, Lin（2017）. La Mise Hors Scène Screen Memory, ECAH 2017: The European Conference on Arts & Humanities 2017, Brighton, UK
  • Hsin-I, Lin（2017）. Bypassing the Camera: The Image Production Possibilities of Taiwanese Experimental Images, EuroMedia 2017: The European Conference on Media, Communication & Film 2017, Brighton, UK
  • Hsin-I, Lin （2017）. Voice-Over of History: From Jokaisen-kitan to the subject in transit. MediAsia 2017: The Asian Conference on Media, Communication & Film 2017, Kobe, Japan
  • Hsin-I, Lin（2014）. The Body of NeZha. Film-Philosophy Conference 2014: A World of Cinemas, University of Glasgow, UK
  • 林欣怡（2013），《數據主體性》，影像、偶然、非秩序：重探臺灣藝術的當代性學術研討會，國立臺南藝術大學
  • Hsin-I, Lin（2012）. Info-Subjectivity. Film-Philosophy Conference, King’s College London,  London, UK
  • Hsin-I, Lin（2012）. Net.readymades. 3rd Int’l IJAS Conference, Harvard University, USA
  • 林欣怡（2011），《精準的荒謬節奏與虛無的極限運動：陳萬仁影像中的精神姿態》，DELTA：亞洲生活手勢，2011 年亞洲藝術學術論壇，國立臺南藝術大學

Conference Papers

  • Lin, Hsin-I (2024). Gene-Echo Montage: The Supercut Episteme and Anti-Database Cinema. 2024 CSA Annual Conference and International Symposium: Mi-Me-ing. Cultural Studies Association (CSA), Taiwan / National Taipei University of Education. (March 16–17).
  • Lin, Hsin-I (2023). Historical Supercuts: Memory Sections and Polyphonic Aesthetics in the Images of Nguyen Trinh Thi. 2023 Annual Meeting of the Taiwan Society for Anthropology and Ethnology: “War? Anthropology!” Institute of Ethnology, Academia Sinica. (September 23–24).
  • Lin, Hsin-I (2022). Discrete Coding: Media-Stylo as a Punctiform Writing Subject. 2022 CSA Annual Conference and International Symposium: War·Generations. National Taipei University of Education. (March 12–13).
  • Lin, Hsin-I (2017). La Mise Hors Scène Screen Memory. ECAH 2017: The European Conference on Arts & Humanities. Brighton, UK.
  • Lin, Hsin-I (2017). Bypassing the Camera: The Image Production Possibilities of Taiwanese Experimental Images. EuroMedia 2017: The European Conference on Media, Communication & Film. Brighton, UK.
  • Lin, Hsin-I (2017). Voice-Over of History: From Jokaisen-kitan to the Subject in Transit. MediAsia 2017: The Asian Conference on Media, Communication & Film. Kobe, Japan.
  • Lin, Hsin-I (2014). The Body of NeZha. Film-Philosophy Conference 2014: A World of Cinemas. University of Glasgow, UK.
  • Lin, Hsin-I (2013). Data Subjectivity. Image, Contingency, and Non-Order: Exploring the Contemporaneity of Taiwanese Art. National Tainan University of the Arts.
  • Lin, Hsin-I (2012). Info-Subjectivity. Film-Philosophy Conference. King’s College London, UK.
  • Lin, Hsin-I (2012). Net.readymades. 3rd International IJAS Conference. Harvard University, USA.
  • Lin, Hsin-I (2011). The Precise Rhythm of the Absurd and the Limit Movement of Nihilism: Spiritual Gestures in Chen Wan-Jen’s Images. DELTA: Asian Life Gestures—2011 Asian Art Academic Forum. National Tainan University of the Arts.

著作發表

  • 林欣怡（2023），〈雙重湧現〉，《藝術松 No.4：替身》，財團法人數位藝術基金會
  • 林欣怡（2021），〈超皮層：終端主體之後〉，《藝術松 No.2：AI》，財團法人數位藝術基金會
  • 林欣怡（2018），〈反身像：異步、實驗、恍惚性〉，《藝術觀點ACT》， 第74期，2018.05
  • 林欣怡（2016），〈劇本：銀幕記憶〉，《藝術觀點ACT》， 第67期， 2016.07
  • 林欣怡（2016），〈繞過攝影機：以身為目，操干戚以舞〉，《藝術觀點ACT》， 第66期， 2016.04
  • 林欣怡（2016），〈鯤言．影譯．歷史旁白〉，《藝術觀點ACT》， 第65期， 2016.01
  • 林欣怡（2016），〈流亡話語──無路可走而必須前行〉，《數位藝述第伍號：數位文化網絡世代的哲思》，臺北市：數位藝術基金會
  • 林欣怡（2016），〈多重延身：台灣網路藝術置標〉，《數位藝述第伍號：數位文化網絡世代的哲思》，臺北市：數位藝術基金會
  • 林欣怡（2015），〈流亡話語— 無路可走而必須前行〉，《藝術觀點ACT》， 第61期，  2015.01
  • 林欣怡（2014），〈網路物性Objecthood.net〉，《數位藝述第參號：數位設計—創客與自造時代》，臺北市：數位藝術基金會
  • 林欣怡（2014），〈當攝影機開啟，我即彼〉，《藝術觀點ACT》，第58期，2014.04
  • 林欣怡（2014），〈哪吒體─諸種主體詮釋學〉，《典藏今藝術》，2014.1，256期
  • 林欣怡（2013），〈減法事件 ． 介系共存 ． 匿名觀點〉，典藏今藝術，No.251, 8月號，2013
  • 林欣怡（2012），〈感覺到而未經辨認的：羅智信的「戲物」〉，藝術收藏+設計，2012.10
  • 林欣怡、賴雯淑（2010），〈從Fluxus初探網路藝術之前衛性格〉，脈波壹「身體‧ 性別‧ 科技」數位藝術展，臺北數位藝術中心，2010.10.13
  • 林欣怡（2010），〈等距變項：朝向主體的數位類比系統〉，數位藝述，臺北：田園城市文化，頁156-163，第四屆數位藝術評論獎「藝術評論類」，臺北數位藝術中心，2010.09.27
  • 林欣怡（2010），〈剩餘價值最高形式：人體原物料作為藝術生產線〉，文化研究月報，第108期，2010.09.25，文化研究學會 [文化評論]
  • 林欣怡（2010），〈Oopject 唯物論：一場及物動詞的不完全補語〉，典藏今藝術，No.217，10月號，2010

Critical Essays & Publications

  • Lin, Hsin-I (2023). “雙重湧現 Double Emergence.” Art Song No. 4: Avatar. Digital Art Foundation.
  • Lin, Hsin-I (2021). “超皮層 Hypercortex: Beyond the Terminal Subject.” Art Song No. 2: AI. Digital Art Foundation.
  • Lin, Hsin-I (2018). “Reflexive Image: Asynchrony, Experimentation, and Trance-locality.” Art Critique of Taiwan (ACT), Issue 74 (May 2018).
  • Lin, Hsin-I (2016). “Screenplay: Screen Memory.” Art Critique of Taiwan (ACT), Issue 67 (July 2016).
  • Lin, Hsin-I (2016). “Bypassing the Camera: The Body as Eyes, Dancing with Weapons.” Art Critique of Taiwan (ACT), Issue 66 (April 2016).
  • Lin, Hsin-I (2016). “Kun-Yen (Whale Speech) · Image Translation · Historical Voice-over.” Art Critique of Taiwan (ACT), Issue 65 (January 2016).
  • Lin, Hsin-I (2016). “Discourse on Exile: No Way Out but Forward.” Digital Art No. 5: Philosophical Thoughts in the Generation of Digital Culture Networks. Taipei: Digital Art Foundation.
  • Lin, Hsin-I (2016). “Multiple Extensions: Tagging Taiwan’s Internet Art.” Digital Art No. 5: Philosophical Thoughts in the Generation of Digital Culture Networks. Taipei: Digital Art Foundation.
  • Lin, Hsin-I (2015). “Discourse on Exile: No Way Out but Forward.” Art Critique of Taiwan (ACT), Issue 61 (January 2015).
  • Lin, Hsin-I (2014). “Objecthood.net.” Digital Art No. 3: Digital Design—The Era of Makers and Creators. Taipei: Digital Art Foundation.
  • Lin, Hsin-I (2014). “When the Camera Turns On, I am the Other.” Art Critique of Taiwan (ACT), Issue 58 (April 2014).
  • Lin, Hsin-I (2014). “The Body of NeZha: Various Hermeneutics of the Subject.” ARTCO, Issue 256 (January 2014).
  • Lin, Hsin-I (2013). “Subtractive Events · Prepositional Coexistence · Anonymous Perspectives.” ARTCO, Issue 251 (August 2013).
  • Lin, Hsin-I (2012). “Felt but Unrecognized: Lo Chih-Hsin’s ‘Playing with Objects’.” Art Collection + Design (October 2012).
  • Lin, Hsin-I & Lai, Wen-Shu (2010). “A Preliminary Study of the Avant-Garde Nature of Internet Art through Fluxus.” Pulse I: Body, Gender, Technology Digital Art Exhibition. Taipei Digital Art Center (October 13, 2010).
  • Lin, Hsin-I (2010). “Equidistant Variables: Towards a Digital-Analog System of the Subject.” Digital Art. Taipei: Garden City Publishers, pp. 156-163. (Winner of the 4th Digital Art Criticism Award).
  • Lin, Hsin-I (2010). “The Highest Form of Surplus Value: Human Raw Material as an Artistic Production Line.” Cultural Studies Monthly, Issue 108 (September 25, 2010).
  • Lin, Hsin-I (2010). “Oopject Materialism: An Incomplete Complement of Transitive Verbs.” ARTCO, Issue 217 (October 2010).

獲獎獎助

  • 2022 國立陽明交通大學110學年度優良教師
  • 2021 文化部 2021藝起秀創意線上演出徵選計畫．金獎
  • 2016 高雄電影節．短片競賽．優選
  • 2016 臺灣國際女性影展．臺灣競賽．特獎
  • 2015 南方影展．最佳新人獎
  • 2015 數位藝術評論獎．首獎
  • 2014 國家文化藝術基金會視聽媒體藝術類紀錄片獎助
  • 2012 國科會國內研究生出席國際學術會議補助
  • 2011 國科會專題研究計畫研究助理獎助
  • 2010 第四屆數位藝術評論獎．藝術評論類
  • 2010 交通大學人文社會學院學術研究發展博士生獎學金
  • 2010 國科會專題研究計畫研究助理獎助
  • 2009 國藝會2009「臺灣藝文評論徵選專案」獎助
  • 2008 國家文化藝術基金會美術類創作獎助
  • 2008 文建會獎助巴黎Cite駐村計畫
  • 2004 文建會獎助紐約ISCP駐村計畫
  • 2003 臺北獎．優選
  • 2003 臺中港區新貌展—平面創作系列．第三名
  • 2002 國家文化藝術基金會美術類創作獎助

Awards, Grants & Residencies

  • 2022 Excellence in Teaching Award, National Yang Ming Chiao Tung University (Academic Year 2021).
  • 2021 Gold Award, “Show Your Creativity” Online Performance Selection Project, Ministry of Culture.
  • 2016 Award of Excellence, Short Film Competition, Kaohsiung Film Festival.
  • 2016 Special Prize, Taiwan Competition, Women Make Waves Film Festival.
  • 2015 Best Newcomer Award, South Taiwan Film Festival.
  • 2015 First Prize, Digital Art Criticism Awards.
  • 2014 Documentary Grant, Audiovisual Media Arts Category, National Culture and Arts Foundation (NCAF).
  • 2012 Travel Grant for International Academic Conferences, National Science Council (NSC).
  • 2011 Research Assistant Fellowship, National Science Council (NSC) Research Project.
  • 2010 Art Criticism Award, 4th Digital Art Criticism Awards.
  • 2010 Doctoral Fellowship for Academic Research Development, College of Humanities and Social Sciences, National Chiao Tung University.
  • 2010 Research Assistant Fellowship, National Science Council (NSC) Research Project.
  • 2009 Grant Recipient, Taiwan Arts and Culture Criticism Selection Project, National Culture and Arts Foundation (NCAF).
  • 2008 Creative Grant, Fine Arts Category, National Culture and Arts Foundation (NCAF).
  • 2008 Residency Grant: Cité internationale des arts, Paris, Council for Cultural Affairs (now Ministry of Culture).
  • 2004 Residency Grant: International Studio & Curatorial Program (ISCP), New York, Council for Cultural Affairs.
  • 2003 Award of Excellence, Taipei Arts Award.
  • 2003 Third Place, Taichung Harbor New Aspect Exhibition—2D Creative Series.
  • 2002 Creative Grant, Fine Arts Category, National Culture and Arts Foundation (NCAF).

影展

  • 2024 白色恐怖記憶影展
  • 2023 法國克萊蒙費宏國際短片影展台灣館
  • 2022 入圍2022法國克萊蒙費宏 VIDEOFORMES 新媒體藝術展「國際競賽」單元
  • 2022 入圍2022美國聖塔菲 CURRENTS: CIRCUITS 新媒體藝術展
  • 2022 Taiwan Film Series: Political Violence, Historical Trauma
  • 2022 「消失的女聲」- 《第六十九信》電影觀賞與座談會 影展．柏林台灣協會
  • 2019 Oppression and Rebirth – 2019 AMA Museum Women’s Human Rights Film Festival
        壓迫與重生—2019阿嬤家女性人權影展 阿嬤家-和平與女性人權館
  • 2018 29th SGIFF：FOCUS: DOCU-MEMORIES SHORTS 新加坡國際電影節：焦點：記憶顯影－探臺灣當代紀錄
  • 2018 Kosovo DokuFest: “Birth of a Nation: Focus on Taiwan” 科索沃國際影展：國家的誕生單元
  • 2018 Wathann Film Festiva 緬甸瓦山影展臺灣單元
  • 2017 德國柏林歐洲電影市場展
  • 2017 法國克萊蒙費宏短片市場展
  • 2017 What Time Is It There? Taiwanese Film Biennial, UCLA Film & Television Archive and the Taiwan Academy in Los Angeles 臺灣電影雙年展
  • 2017 Media Library, Visions du Réel International Film Festival NYON 瑞士真實影展 Media Library
  • 2017 Landscape of Asian Shorts section, Busan International Short Film Festival, South Korea 韓國釜山短片影展
  • 2017 Hong Kong Independent Film Festival 香港獨立電影節
  • 2016 Outstanding Selection, Kaohsiung Film Festival 高雄電影節優選
  • 2016 Merit Prize, Women Make Waves Int’l Film Festival 臺灣國際女性影展特獎
  • 2016 Urban Nomad Film Fest2016 NYC Independent Film Festival城市遊牧影展
  • 2016 New Youk Independent Film Festival 紐約獨立影展
  • 2015 Rookie of the Year Award, South Taiwan Film Festival 南方影展．最佳新人獎
  • 2015 Women Make Waves Film Festival – Taiwan Competition 臺灣國際女性影展
  • 2015 Los Angeles Independent Film Festival Awards 洛杉磯獨立影展
  • 2015 Canada Shorts Film Festival 加拿大短片影展
  • 2015 韓國光州 Asia Art Center of Gwangju． Self-Archiving 單元放映

Film Festivals & Screenings

  • 2024 White Terror Memory Film Festival, Taiwan.
  • 2023 Clermont-Ferrand International Short Film Festival, Taiwan Pavilion, France.
  • 2022 VIDEOFORMES New Media Art Festival, International Competition, Clermont-Ferrand, France.
  • 2022 CURRENTS New Media: CIRCUITS, Santa Fe, USA.
  • 2022 Taiwan Film Series: Political Violence, Historical Trauma, International Tour.
  • 2022 “The Vanishing Female Voice” – Letter #69 Screening and Talk, Taiwan Association in Berlin, Germany.
  • 2019 Oppression and Rebirth: 2019 AMA Museum Women’s Human Rights Film Festival, AMA Museum, Taiwan.
  • 2018 29th Singapore International Film Festival (SGIFF): Focus: Docu-Memories Shorts – Contemporary Taiwan Documentaries.
  • 2018 DokuFest (Kosovo International Documentary and Short Film Festival): Birth of a Nation: Focus on Taiwan.
  • 2018 Wathann Film Festival, Taiwan Program, Myanmar.
  • 2017 European Film Market (EFM), Berlin, Germany.
  • 2017 Clermont-Ferrand Short Film Market, France.
  • 2017 Taiwanese Film Biennial: “What Time Is It There?”, UCLA Film & Television Archive and Taiwan Academy in Los Angeles, USA.
  • 2017 Visions du Réel International Film Festival, Media Library, Nyon, Switzerland.
  • 2017 Busan International Short Film Festival, Landscape of Asian Shorts Section, South Korea.
  • 2017 Hong Kong Independent Film Festival (HKIFF).
  • 2016 Kaohsiung Film Festival, Outstanding Selection, Taiwan.
  • 2016 Women Make Waves International Film Festival, Merit Prize, Taiwan.
  • 2016 Urban Nomad Film Fest, Taiwan.
  • 2016 New York Independent Film Festival, USA.
  • 2015 South Taiwan Film Festival, Rookie of the Year Award, Taiwan.
  • 2015 Women Make Waves International Film Festival, Taiwan Competition.
  • 2015 Los Angeles Independent Film Festival Awards, USA.
  • 2015 Canada Shorts Film Festival, Canada.
  • 2015 Asia Culture Center (ACC), Self-Archiving Program, Gwangju, South Korea.

個展

  • 2017 《三島．第六十九信》，全美戲院放映，臺南，臺灣
  • 2014 《復活．餘地：林欣怡個展》，誠品畫廊，臺北，臺灣
  • 2008 《臺灣西鐵新植民》，Cité internationale des arts，Paris，France
  • 2003 《人體器官物流：林欣怡個展》，伊通公園，臺北，臺灣

Solo Exhibitions

  • 2017 3 Islands · Letter #69, Screening at Chin Men Theatre, Tainan, Taiwan.
  • 2014 Resurrection · Marginalia: LIN Hsin-I Solo Exhibition, Eslite Gallery, Taipei, Taiwan.
  • 2008 Taiwan Cité Neo-Colonialism, Cité internationale des arts, Paris, France.
  • 2003 The Logistics of Human Organs: LIN Hsin-I Solo Exhibition, IT Park Gallery, Taipei, Taiwan.

聯展

  • Hsin-I, LIN（2024）. [sin-gí]: Data Weaving, SIGGRAPH 2024 Conference, Art Gallery, Colorado Convention Center, USA
  • 2022 愛與希望─2022世界女藝匯流藝術祭：影像與性別、科技、族裔的跨域、融生．國立臺灣史前文化博物館
  • 2020 《擺態》，新竹美術館，臺灣
  • 2019 《六燃文件展》，交大藝文空間，臺灣
  • 2017 《近未來的交陪：2017蕭壠國際當代藝術節》，蕭壠文化園區，臺南，臺灣
  • 2015  Asia Art Center of Gwangju 「Self-Archiving」單元，韓國光州
  • 2014 《鬼魂的迴返》，鳳甲美術館，臺北，臺灣
  • 2008 《小甜心─伊通公園二十週年慶》，伊通公園，臺北，臺灣
  • 2008 《Snake Alley》，Visual Arts Taipei Cultural Center，紐約，美國
  • 2005 《範例：關於實驗、混合與消遣》，華山藝文特區，臺北，臺灣
  • 2005 《第51屆威尼斯雙年展 –自由的幻象》，普里奇歐尼宮，威尼斯，義大利
  • 2005 《第三屆女性藝術三年展—幻想亞洲》，SungKok 美術館，韓國首爾
  • 2005 《出神入畫 – 華人攝影新視界》，臺北當代藝術館，臺北，臺灣
  • 2004 《Contemporary Taiwanese Art in the Era of Contention》，強森美術館，康乃爾大學，紐約，美國
  • 2003《急‧整‧飾─「臺灣藝術新浪」》，大趨勢藝術空間，臺北，臺灣
  • 2003《64種愛的欲言─在SARS漫延的年代》，伊通公園，臺北，臺灣
  • 2003《臺中港區新貌展—平面創作系列》，臺中縣立港區藝術中心，臺中，臺灣
  • 2003《造境–科技年代的影像詩學》，鳳甲美術館，臺北，臺灣；宏碁渴望園區，桃園，臺灣
  • 2003《2003臺北美術獎》優選，臺北市立美術館，臺北，臺灣
  • 2002《磁性書寫II光隙掠影─影像在凝視我們》，伊通公園，臺北，臺灣
  • 2002《幻影天堂》，大趨勢藝術空間，臺北，臺灣
  • 2002《美麗新世界》，臻品畫廊，臺中，臺灣

Group Exhibitions

  • 2024 [sin-gí]: Data Weaving, SIGGRAPH 2024 Art Gallery, Colorado Convention Center, USA.
  • 2022 Love and Hope: 2022 World Women’s Art Festival – The Interdisciplinary Fusion of Image, Gender, Technology, and Ethnicity, National Museum of Prehistory, Taiwan.
  • 2020 Attitude/Pose, Hsinchu City Art Museum, Taiwan.
  • 2019 The Sixth Fuel Plant Documentary Exhibition, NYCU Arts Center, Taiwan.
  • 2017 Kau-Puê, Spiritual Intertwining: 2017 Siao-longh International Contemporary Art Festival, Siao-longh Cultural Park, Tainan, Taiwan.
  • 2015 Self-Archiving, Asia Culture Center (ACC), Gwangju, South Korea.
  • 2014 The Return of Ghosts, Hong-gah Museum, Taipei, Taiwan.
  • 2008 Sweeties: IT Park 20th Anniversary Exhibition, IT Park Gallery, Taipei, Taiwan.
  • 2008 Snake Alley, Taipei Cultural Center in New York, USA.
  • 2005 Paradigm: On Experiment, Mixing, and Recreation, Huashan 1914 Creative Park, Taipei, Taiwan.
  • 2005 The Spectre of Freedom: The 51st Venice Biennale (Taiwan Pavilion), Palazzo delle Prigioni, Venice, Italy.
  • 2005 The 3rd Woman Arts Biennale: Fantasy Asia, Sungkok Art Museum, Seoul, South Korea.
  • 2005 Trans-appearance: New Visions in Chinese Photography, Museum of Contemporary Art (MoCA) Taipei, Taiwan.
  • 2004 Contemporary Taiwanese Art in the Era of Contention, Herbert F. Johnson Museum of Art, Cornell University, New York, USA.
  • 2003 Fast / Correct / Decorate: New Waves of Taiwan Art, Main Trend Gallery, Taipei, Taiwan.
  • 2003 64 Varieties of Love’s Expressions: In the Age of SARS, IT Park Gallery, Taipei, Taiwan.
  • 2003 Taichung Seaport New Aspect Exhibition: 2D Creative Series, Taichung City Seaport Art Center, Taiwan.
  • 2003 Creating Landscapes: The Poetics of Images in the Technological Age, Hong-gah Museum, Taipei / Acer Aspire Park, Taoyuan, Taiwan.
  • 2003 2003 Taipei Arts Award Exhibition (Award of Excellence), Taipei Fine Arts Museum, Taiwan.
  • 2002 Magnetic Writing II: Glimmering Light—Images Gaze Upon Us, IT Park Gallery, Taipei, Taiwan.
  • 2002 Phantom Paradise, Main Trend Gallery, Taipei, Taiwan.
  • 2002 Brave New World, Galerie Pierre, Taichung, Taiwan.